Kendrick Lamar Section 80 Zip Sfshare
Kendrick Lamar released his Section.80 album in 2011. Originally the project was released as a mixtape, but it was later sold. Download Section.80 here.
. ' Released: April 12, 2011 Section.80 is the debut by American rapper. It was released on July 2, 2011,. The album features from, and vocals from late singer-songwriter Alori Joh. The was mainly handled by Top Dawg in-house from production group, along with THC, and. The features lyrical themes delivered by Lamar such as the 1980s, and. The album's, ' was released on April 12, 2011.
Section.80 received generally positive reviews from critics and debuted at number 113 on the US. As of February 2014, Section.80 sold 130,000 copies domestically. In April 2017, it was certified by the (RIAA). Contents. Background The album is his first studio release, followed by the release of five of his mixtapes and his first extended-play (EP). Lamar recorded the album at Top Dawg Studios in, and wrote most of it in his mother's kitchen. The for Section.80 was the song ', the concept of which was to further explain the 'HiiiPoWeR' movement promoted by Lamar and his TDE labelmates.
In the beginning of the for 'HiiiPoWeR', a quote from Kendrick Lamar reads: “ I wrote #Section80 because I was ordered to do so. You'll never understand my life and my world. Have you ever seen a new born baby kill a man? Kendrick Lamar.
The very next scene is a visual of me with the eyes of a 6 year old. My mother told me to keep this because it said who I was. An infant looking for answers. Will you forgive me, twice? Probably not. I watch this video and reminise on that krazy am hour of September 13, 2010. I got a visit from.
Research his name. I remember being asleep. His image said 'Don't let me die'. I was paranoid. I said 'why'? He said 'because you the.' ” Music and lyrics Section.80 is a that involves the lives of Tammy and Keisha as it explains the personal hardships in their lives.
'Tammy's Song (Her Evils)' revolves around two girls cheating on their boyfriends after discovering they were unfaithful, and eventually sleeping with each other because they can't trust men. 'Keisha's Song (Her Pain)' is about a who seeks comfort and control, only to her demise. Lamar explains that Section.80 is for people born in the 1980s until now as he dwells on a variety of subjects, such as referencing and discussing how the occurred in the 80s.
He explains how this is part of the reason drugs are popular for his Generation (e.g. And.) 'A.D.H.D' addresses the high drug and of people born during the. 'Kush & Corinthians' notes that and are rarely cut and dry. Critical reception Professional ratings Aggregate scores Source Rating 80/100 Review scores Source Rating 90% B 4.0/5 B+ 8.0/10 8/10 RapReviews.com 8/10 4/5 Section.80 received generally positive reviews from critics. At, which assigns a rating out of 100 to reviews from mainstream publications, the album received an score of 80, based on 11 reviews.
Andres Tardio of wrote that Lamar 'may have been searching for answers, but that journey allowed him to find out of this year's most outstanding albums with Section.80.' Tom Breihan of believed that, 'self-serious flaws and all, Section.80 still stands as a powerful document of a tremendously promising young guy figuring out his voice.' In the opinion of journalist Adam Fleischer, the record reveals 'its author's brain is neither lost nor useless, as he weaves together carefully constructed thoughts before spewing raps on each of the project's 16 tracks, ensuring nothing is disposable or without purpose.' David Amidon from compared Lamar to a early in his career, as 'he's only telling us what he sees, and while he might not offer solutions as often as Ice Cube did, he's certainly able to paint us vivid a picture.' Pitchfork placed the album at number 45 on its list of the 'Top 50 albums of 2011'. Named the album the 7th best album of 2011.
In honor of Section.80 's fifth anniversary, columnist Ogden Payne wrote an article explaining how the album had propelled Lamar into 'hip-hop royalty', deeming it 'the genesis to Kendrick Lamar successfully balancing social commentary with mass appeal, while simultaneously laying the foundation for his label as King Kendrick'. Placed the album at number three on their list of '101 Albums To Hear Before You Die' in 2014. Commercial performance Section.80 sold only 5,000 copies in the United States, based upon digital downloads within less than a week, debuting at number 113 on the US, with minimal mainstream media promotion and coverage – however, some sources suggest the album entered at number 104.
Within a two-week period, the album sold a total of 9,000 copies in the United States. As of February 2014, Section.80 has sold 130,000 copies domestically. On April 14, 2017, the album was certified by the (RIAA), for combined sales and of over 500,000 units. Track listing Section.80 No.
Title Writer(s) Producer(s) Length 1. 'Fuck Your Ethnicity'. Kendrick Lamar – primary artist.
Sounwave – producer. Terrace Martin – producer.
J. From the original on July 19, 2012. Retrieved September 25, 2012. From the original on 2011-09-03. Retrieved 2011-09-13. April 19, 2017. From the original on April 20, 2017.
Retrieved April 19, 2017. Ahmed, Insanul; Michels, Eric (August 1, 2011). From the original on January 7, 2013.
Retrieved January 27, 2013. Interview Magazine. Retrieved January 5, 2018. From the original on 2011-10-23. Retrieved 2011-11-05. From the original on 2017-04-21. Retrieved 2017-03-24.
From the original on 2011-09-18. Retrieved 2011-11-05. From the original on March 12, 2016. Retrieved May 18, 2015. Kellman, Andy.
From the original on 2017-07-23. Retrieved 2017-05-12. McMullen, Chase.
Beats Per Minute. Retrieved 2012-07-12. Wete, Brad (July 29, 2011). From the original on February 14, 2017. Retrieved September 25, 2016. ^ Vasquez, Andres (2011-07-06).
From the original on 2011-09-11. Retrieved 2011-09-13. (August 28, 2012). From the original on April 13, 2015. Retrieved 2012-08-29. ^ Breihan, Tom. From the original on 14 January 2012.
Retrieved 15 January 2012. ^ Amidon, David. Archived from on November 9, 2013. Retrieved August 17, 2011. Baber, Mike. From the original on 2015-05-18. Retrieved 2015-04-26.
^ Fleischer, Adam. Archived from the original on 2013-08-20. Retrieved 2011-07-05. CS1 maint: BOT: original-url status unknown.
Kendrick Lamar Section 80 Download
December 15, 2011. From the original on January 7, 2012. Retrieved January 8, 2012. December 19, 2011.
From the original on April 2, 2016. Payne, Ogden (July 2, 2016). Archived from the original on July 3, 2016.
Retrieved September 25, 2016. CS1 maint: BOT: original-url status unknown. From the original on May 11, 2017. Retrieved June 21, 2017.
From the original on 2012-10-19. Retrieved 2011-09-13. From the original on 2011-07-11. Retrieved 2011-07-07.
From the original on 2012-11-20. Retrieved 2011-07-12. From the original on 2013-05-13. Retrieved 2011-09-13. From the original on 2013-09-21. Retrieved 2011-07-13. From the original on 2011-07-08.
Retrieved 2011-07-06. From the original on 2011-07-15. Retrieved 2011-07-13. February 28, 2014. From the original on February 2, 2016.
Kendrick Lamar
Retrieved February 2, 2016. If necessary, click Advanced, then click Format, then select Album, then click SEARCH. From the original on January 30, 2017. Retrieved February 2, 2017.
From the original on 2012-10-19. Retrieved 2012-10-21. Retrieved January 17, 2017. Retrieved January 17, 2017.
Retrieved January 17, 2017. Retrieved January 17, 2017.
Retrieved April 1, 2017. External links. – Relevant Mindset.
Section.80 introduced much of the world to Kendrick Lamar, an introverted Compton native with a unique voice and an unusual talent for rendering his world both in close-up and from a bird's-eye view. His technical mastery is immediately apparent: Check his double-time flow over hyperactive horns on “Rigamortus.” Even more agile is Lamar’s racing mind, which leaps from empathetic love songs (“No Make-Up”) to ruminations on childhood in the crack era (“A.D.H.D.”), and even—over the melancholy jazz breaks of “Kush & Corinthians”—his own personal contradictions. Section.80 introduced much of the world to Kendrick Lamar, an introverted Compton native with a unique voice and an unusual talent for rendering his world both in close-up and from a bird's-eye view. His technical mastery is immediately apparent: Check his double-time flow over hyperactive horns on “Rigamortus.” Even more agile is Lamar’s racing mind, which leaps from empathetic love songs (“No Make-Up”) to ruminations on childhood in the crack era (“A.D.H.D.”), and even—over the melancholy jazz breaks of “Kush & Corinthians”—his own personal contradictions. Platinum-selling, Grammy-nominated rapper Kendrick Lamar is one of the rare artists who has achieved critical and commercial success while earning the respect and support of those who inspired him. A native of Compton, California, Lamar originally rapped as K.
Dot and released a series of mixtapes under that name. Youngest Head Nigga in Charge (2003), issued when he was only 16 years old, caught the attention of Top Dawg Entertainment and led to a long-term association that helped raise the rapper's profile. Training Day (2005) and C4 (2009) also preceded his decision to go by his birth name. The latter was issued the same year he became part of Black Hippy - beside fellow Top Dawg artists Ab-Soul, Jay Rock, and ScHoolboy Q - a group whose members, for the most part, appeared on one another's mixtapes and albums. Overly Dedicated (2010) was the first Kendrick Lamar mixtape and fared well enough to enter Billboard's R&B/Hip-Hop Albums chart that October.
His first official album, Section.80 (2011), was released as a digital download the following year and entered the Billboard 200 at number 113. By that point in his career, Lamar's reputation had been strengthened through guest appearances on dozens of tracks, and he had the support of veteran West Coast stars as well.
During a 2011 concert, Dr. Dre, Snoop Dogg, and Game dubbed him 'The New King of the West Coast,' a notion Dre endorsed more significantly by signing Lamar to the Aftermath label.
Lamar's Good Kid, M.A.A.D City was released in October 2012 and debuted at number two on the Billboard 200. Three of its singles - 'Swimming Pools (Drank),' 'Poetic Justice,' and 'Bitch Don't Kill My Vibe' - reached the Top Ten of Billboard's Hot R&B/Hip-Hop chart, with each one enjoying lengthy stays on playlists of urban U.S. Radio stations. More significantly, the album showcased Lamar as an exceptional storyteller capable of making compelling concept albums. Good Kid, M.A.A.D City was nominated for five Grammy Awards. Rather than rest, Lamar remained active during 2013-2014, with touring as well as appearances on tracks by the likes of Tame Impala, YG, and fellow Top Dawg affiliate SZA.
Early in 2015, he announced that his third album, To Pimp a Butterfly, was due in March, with tracks featuring Snoop Dogg, Bilal, Thundercat, and George Clinton. A technical accident caused the digital album to be released eight days early, but it immediately earned rave reviews and topped the Billboard 200 with sales of 325,000 copies within its first week. It made numerous best-of lists at the end of the year, and earned five Grammy Awards in early 2016. In March, Lamar released untitled unmastered., an eight-track album consisting of demos he'd recorded around the time of To Pimp a Butterfly. Like the previous release, it debuted at number one.
Led by 'Humble,' his first Top Five pop hit, DAMN. Followed in April 2017 and likewise entered the Billboard 200 at the top.
Remarkably, all 14 of its songs entered the Hot 100. Produced by Anthony 'Top Dawg' Tiffith, Sounwave, DJ Dahi, and others, the album also featured contributions from a handful of artists including Mike WiLL Made-It, James Blake, Greg Kurstin, and more.
Also featured were guest appearances by Rihanna and U2. Certified double-platinum, the album earned Lamar two Grammy Award nominations, including Album of the Year. A deluxe edition of DAMN. Appeared in December 2017. Andy Kellman. ORIGIN Compton, CA. GENRE.
BORN June 17, 1987.