Blade Runner Final Cut Legendado Movie
[MOVIE] Blade.Runner.1982.Final.Cut.1080p.BluRay.H264.AAC-RARB. Subtitles for this movie: Blade Runner - Final Cut (1982) BRRip XviD SLiCK - 1 CD - Download Subtitle. Trailer, images, cast info, and more for 'Blade Runner: The Final Cut ' on RegMovies.com, the site for movie lovers.
Hampton Fancher
Reviewed by marntfield Vote: 7/10 What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal 'dark' sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original.
Ridley Scott
Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium.
I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. The Last Great Noir. Reviewed by Captain Spandex Vote: 7/10 This is a film that is so deep, rich, and multi-layered, it may require more than one viewing to fully absorb the brilliance of what you've just seen.
At first glance, it can be a bit slow. It's told in a classic film noir fashion, so this is to be expected.
Blade Runner Final Cut Vs Director's Cut
Director Ridley Scott seems to want to savor every shot, and an astute audience will be able to sense this. Now, I say the film is told in a classic Noir style, but this can be misleading. There is no Humphrey Bogart in Blade Runner, snapping off brilliant one-liners once a second. Only hopeless people, in many ways victims of the merciless world of which they are all a part. Deckard is a typically downbeat protagonist, a hard-boiled cynical leading man with a weakness for heavy drinking. The plot is a mystery in name only, as the audience is allowed to know what Roy Batty, Pris and Leon are all up to before Deckard ever finds out. This only lends to the dread and inevitability of the film, lending further to its pervasive gloom.
There is no final scene at the end where the bold detective puts all the pieces together and says 'Ah-Ha!' Instead, we find Rick Deckard questioning his own existence and drinking away his constant doubts, all the while embroiled in a romantic relationship with someone he's sworn to kill. Blade Runner requires audience participation, particularly in the Director's Cut, which is entirely devoid of some rather necessary exposition provided by the Original Cut's much-maligned voice-over. Certain facts will not be clear even at the end of the film, requiring personal interpretation in order to be appreciated fully. Other facts will be given away in much more subtle ways than in most modern cinema, such as through visual cues and tenuous dialogue. Finally, visually, this movie is quite simply a science fiction triumph. It looks better than modern computer effects in every way that counts.
Superimposed special effect objects don't give off that unnatural, clearly computer-generated 'Lord of the Rings' sheen common in today's effects-driven blockbusters. This, of course, is because Blade Runner - while a gorgeous movie - is not effects driven in the least. Rather, it is a visually driven story that doesn't rely on special effects.
This is an important distinction to make in today's Hollywood. 'Touch of Evil' really wasn't the last of the Great Film Noirs!